Vanessa Wagner, Pascal Dusapin, None – Dusapin: Etudes for Piano Nos – Music. 15 déc. Pascal Dusapin fait ses études d’arts plastiques et de sciences, arts et esthétique à l’Université de Paris-Sorbonne. Entre et il suit. Dusapin (b. ), a former student of Messiaen and Xenakis, is among the leading French composers, with a large output in an attractive style.
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Be etydes first to review this item Amazon Best Sellers Rank: Dusapin characterizes the European “hierarchical” form as thinking in terms of dusain, so that certain parts are always of more importance than others. East Dane Designer Men’s Fashion. Write a customer review. Musique fugitiveon the other hand, achieves its instability through musical “ruptures. English Choose a language for shopping. This set is unusual in that both the music and the photography are produced by one person, the composer Pascal Dusapin.
Archived from the original on 7 February Until recently, Dusapin also rejected the use of keyboard instruments, despite the fact that he plays the organ  and jazz piano.
The libretto, written by Olivier Cadiotis divided into nine numbers: Dusapin has composed solo, chamber, orchestral, vocal, and choral works, as well as several operas, and has been honored with numerous prizes and awards. AmazonGlobal Ship Orders Internationally. Even so, Dusapin manages to make his use of microtonality feel completely natural. Would you like to tell us about a lower price? See All Buying Options. In fact, the intensity is such that Dusapin consciously makes pieces like Musique captive have short durations in this case, three minutesfor by their ends the musicians and listeners alike are completely exhausted.
Dusapin achieves this effect by stating fusapin idea, then abruptly changing course through either sudden silence or the introduction of a new musical progression. Irzenski’s text is taken from fragments of Latin literary works and does not necessarily follow the chronology of the Greek teudes of Niobe.
His music is full of “romantic constraint”,  and he rejects the use of electronics, percussion other than timpani, and, up until the late etudfs, piano. Unlike even Xenakis, he avoids the use of electronics and technology in his music. Perhaps the most prominent and unique element of Dusapin’s music is its built-in tension, energy, and sense of movement.
This book and CD combo set is the third release in a series of recordings produced by the renowned French publisher Actes Sud that strives to connect the visual arts with the sonic. Dusapin rejects the hierarchical, binary forms of most European music, but neither is his music aleatory.
DDD Number of Discs: The cycle treats the orchestra as a large solo instrument   and is the closest Dusapin has come to traditional symphonic thinking.
Dusapin: Etudes Nos. for solo piano – Actes Sud: ASM08 – CD | Presto Classical
He avoids repetition and rejects stability and redundancy in music, which is yet another distinguishing feature of his music. In the early s I wanted to get away from the running times of between ten and twenty minutes that are invariably associated with commissions for orchestra.
Amazon Music Stream millions of songs. Amazon Renewed Refurbished products with a warranty. See all formats and editions Hide other formats and editions Price. In these deluxe sets, music is paired with photography to explore the synergies between the two art forms.
Amazon Second Chance Pass it on, trade it in, give it a second life. His melodies have a vocal quality,  even in purely instrumental works.
It consists of seven works that can be played independently but were from the start conceived as a whole. Indeed, in dusxpin article on Dusapin, Julian Anderson cites the “enclosing tensions” and “explosive flight” as the two extremes of Dusapin’s early music and claims that these idioms are what make the composer’s music so highly individual.
Share your thoughts with other customers. For the musical duwapin of the production, pianist Vanessa Wagner plays Dusapin’s seven Etudes for piano. See offer for details. While Dusapin’s studies with these composers formed a foundation for his compositional studies—particularly for his understanding of sound masses—he developed his own musical language.
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