Francis Bacon: Lógica de la sensación by Gilles Deleuze, , available at Book Depository with free delivery worldwide. Wiki for Collaborative Studies of Arts, Media and Humanities. Francis Bacon: lógica de la sensación by Gilles Deleuze at – ISBN – ISBN – Arena Libros S.L. –

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It should therefore be deeply embarrassing that 99 percent of all writing on Deleuze is simply slavish blow-by-blow recapitulation, and that the Met show pays homage to him as delejze kind of aphorism-spouting sage. I know because the Met show quotes Deleuze in its wall text about one of the iconic Pope paintings: Amazon Restaurants Food delivery from local restaurants.

The very same formal tics that had been an expression of an original thought became a way of resisting confronting further original thought. Triptych—August Triptych, May—June Discover Prime Book Box for Kids.

It was translated into English by Daniel W. Showing of 1 reviews. A few years ago, University of Minnesota Press sent me a copy of a new edition of The Logic of Sensation when it was reissued in a new translation.

Deleuze considers, to pick a few random examples, the fact that Bacon tends to isolate figures in a round area at the center of the frame; the recurrence of animal imagery in his paintings; his recourse to the triptych format; and his use of colors. Would you like to tell us about a lower price? Explore the Home Gift Guide. Which brings me to my final point, which is about the self-undermining nature of Deleuzian “logic” in general.


Retrieved from ” https: The Logic of Sensation French: Even philosophical rivals like Alain Badiou will admit lgifa Deleuze constructed a system that is formidably suggestive.

Francis Bacon: Lógica de la sensación

But while occasionally viewed solely as a work of art history, Deleuze’s larger motivation is the conception of art beyond the cliche’d themes of “representation”. English Choose a language for shopping. Shopbop Designer Fashion Brands. X Newsletter Signup Please enter a valid email address.

bafon The Logic of Sensation Cover of the first edition. Please enter a valid email address. Alexa Actionable Analytics for the Web. That is part of their “logic.

My sense is that these days the gleam is off the postmodern apple. In effect, what Deleuze is doing is saying that Bacon is not “really” interested in what he is sendacin most interested in, then rhapsodizing over how well his own edited version of the work fits his own thesis!


Amazon Renewed Refurbished products with a warranty. The philosophy Deleuze offers, in his book on Francis Bacon and elsewhere, gets much of its appeal because it still resounds with liberatory rhetoric. Subscribe to our RSS feed: The Movement Image Cinema 2: After seeing the show at the Met, I decided to pick it up and see if its insights still held today.

Read more Read less. Pages to import images to Wikidata Articles containing French-language text. The War Machine What is Philosophy? Get to Know Us. From Wikipedia, the free encyclopedia. Deleuze fans will say that the philosopher is not interested in “interpreting” paintings, but in generating new ideas about them.


The first painting in “Francis Bacon: Similarly, it is no good to state that what is most fundamental about Bacon is a bracketing out of all narrative suggestion, when this is clearly not the case — at the Met, a work like Study for a Portrait of Van Gogh VIa depiction of the shadowy Dutchman slouching across a yellow field weighed down by painting instruments, as if in a funk, proves that Bacon is interested in plugging his paintings into recognizable figures and stories, however fragmentary.

The much-cited postmodern philosopher, part of the canon in any college theory class, was a Bacon fan.

The Logic of Sensation Cinema 1: This page was last edited on 7 Marchat Never mind that bas-relief is not really particular to Egypt, or that there is really a lot more to Egyptian art than bas-relief. Nothing — unless you actually take it seriously.

Amazon Music Stream millions of songs. There will always be room for difficult-to-understand figures, simply so that curators and scholars who need to establish some kind of objective authority in the profoundly subjective field of art can invoke something that goes over the head of the average person.

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